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This is one of a very few works that may be attributed to Berlinghiero based on analogies of style with a Crucifix in the Museo di Villa Guinigi, Lucca, that is signed „Berlingherius me pinxit.“ The painter—a key figure in the history of Tuscan painting—was from Volterra and is first documented in 1228 together with his two sons Barone and Bonaventura, both of whom, together with a third son, Marco, also became painters
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The Artist: Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique, beautifully exemplified in The Met’s painting of Saint Andrew by the description of the hands, the tilted book, and the dangling tassel and the refined tooling of the halo
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Link to the Artist Project Barry X Ball on an Egyptian fragment of a queen’s face
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From the Grand Béguinage of Louvain, Belgium; Jules Frésart, Liège (1882–sold by 1892, to Figdor); Dr. Albert Figdor, Vienna (by 1892–until d. 1927); his posthumous sale, Paul Cassirer, Berlin (September 29–30, 1930, no
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