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Inscription: (as in order on object): Exaseru[n]t . senes . / . los suos ut . no[n] . vide / susAnna . et . / . in co[n]cupiscentia[m] / declinaveru[n]t ocu / re[n]t c[a]elu[m] . dAniel 13 [should be Exaserunt senes in concupiscentiam Susanna et declinaverunt oculos suos ut non viderent caelum, Daniel 13] (the old men were inflamed in desire by Susanna and turned away their eyes so that they might not see heaven [Daniel 13:8-9])
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From a hypogeum (so-called “tomb B�) on the property of Savino Scocchera in Mandorleto Grotticelle, east of Canosa, Italy 1895, found in a tomb near Canosa, Apulia, Italy; [by 1904 and until 1906, with Cesare and Ercole Canessa, Naples and Paris]; acquired in 1906, purchased from C
Avenue in Gallery 162 Figure of a woman removed from funnel-jar, 06.1021.248a, b.

Two Tusk Fragments with the Ascension of Christ:17.190.46 and 17.190.48Conforming to the shape of the ivory tusks from which they were carved, these two fragmentary images of the Ascension are so similar that they must have been carved by the same workshop
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There is no record of this picture prior to its purchase between 1882 and 1884 by William Graham (1817–1885), a Glasgow merchant, major supporter of the Pre-Raphaelites, and notable collector of early Italian paintings
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According to Giorgio Vasari, The Holy Family with the Young Saint John the Baptist, one of the artist’s greatest late works, was painted for the Florentine Giovanni Borgherini. The biographer described the subject of the painting as „the Virgin, an infant St
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