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MedalObverse: Equestrian Portrait of Emperor Constantine (r. 307–337)Reverse: Allegory of Salvation – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/469911

Inscription: (obverse legend): + CONSTANTIVS / . IN XPO [should be CHRISTO] . DEO . FIDELIS . IMPERAT / OR . ET . MODERATOR / ROMANORVM . ET. SEMPER . AVGVSTVS (Constantine, faithful in Christ [and] in God, emperor and master of the Romans and forever Augustus)(obverse exergue): z34 (234) (reverse legend): : + MIHI : ABSIT : GLORIARI :
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Saint-Guilhem Cloister – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472181

From the abbey church of Saint-Guilhem-le-Désert, near Montpellier, France; Pierre-Yon Vernière, Aniane, France ; Charles Vernière, Aniane, France ; Antoine Labrigot, Carcasonne, France ; [ Louis Cornillon, Paris] ; George Grey Barnard American, New York (until 1925)
Here is a link to download the audio instead. Playlist 17.

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Woman Dispensing Poison from the Legend of Saint Germain of Paris – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471988

From the former Lady Chapel of the Benedictine abbey of Saint-Germain-des-Prés, Paris; [possibly Jacques Seligmann, Paris and New York] ; Private Collection, Paris (until 1958) ; [ Brimo de Laroussilhe, Paris (1958–sold 1972)] ; [ Galerie für Glasmalerei, Zurich (1972–sold 1973)]
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Melchior of the Three Kings from an Adoration Group – German – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471431

From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg; Dutch or German Private Collection ; [ Sotheby’s, London (July 28, 1939, no. 103) ] ; [ John Hunt, Ireland (1939–sold 1952)]
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Panel painting of a woman in a blue mantle – Roman Period – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/591557

Owned by S. Simonian, Hamburg Germany, before 2013. Published 1997 and 2003, exhibited in Frankfurt in 1999 and Vienna in 2003 and published in exhibition catalogs. Purchased from Pierre Bergé & Associés, Paris, 2013
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