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Brownlow Cecil, 9th Earl of Exeter, Burghley House, near Stamford, Northamptonshire (by 1847) ; William Alleyne Cecil, 3rd Marquis of Exeter 1825–1895, Burghley House, near Stamford Northamptonshire (until 1888) ; Marquis of Exeter sale, Christie, Manson & Woods, London (June 9, 1888, no
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Inscriptions from left to right:Divine speech (of Amun):…[nb tA.wj] Nswt-bj.tj nb-xpt-ra zA-raw MnT.w-[Htp.w]pA(w.t) r j(t).w=k nb n-aA-[mr.wt]“…Lord of the Two Lands, King of Upper and Lower Egypt Nebkhepetre, Son of Re Mentuhotep…Provisions more than all your ancestors inasmuch as…“Next, above the papyrus plant one could still the remains of a figure of a vulture
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This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
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The Artist: Nicholas Hilliard, the son of Richard Hilliard, an Exeter goldsmith, made his earliest known miniatures in 1560. He served his apprenticeship as a goldsmith, beginning in 1562 with Robert Brandon, whose daughter Alice he was to marry in 1576
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Muzzarelli chapel, church of the convent of Sant’Andrea Apostolo, Ferrara (until at least 1787); Prince Eugène de Beauharnais, Herzog von Leuchtenberg, Munich (until d. 1824; cat., 1825, no. 35); Herzogen von Leuchtenberg, Munich and St
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From before 1631 and until 1902, in the Giustiniani Collection, Rome; 1902, purchased from the Giustiniani family through Giuseppe Sangiorgi by Mrs. Frederick F. Thompson, New York; acquired in 1903, gift of Mrs
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