Rosary – German – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464300
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Pater, born in Valenciennes, was apprenticed to a local painter in 1706. A contemporary would later report that his father sent him to Paris to study with Jean Antoine Watteau (1684–1721): probably the two painters left Valenciennes together in late 1709 or 1710
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Here is a link to download the audio instead. Playlist 6144.
CarpetA so-called ‘thunder-and-lightening’ symbol covers the entire field of this rug. Against this background appear a single, scalloped central medallion and four corner pieces
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The coffin (12.181.302a, b), the scarab (26.7.432) and the bowl are all on display
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From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905) ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumou sale, Hôtel Drouot, Paris (November 24-25, 1969, no
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The Artist: Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique, beautifully exemplified in The Met’s painting of Saint Andrew by the description of the hands, the tilted book, and the dangling tassel and the refined tooling of the halo
Here is a link to download the audio instead. Playlist 5203.