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Christos Bastis Collection, New York, from 1975; exhibited as a loan to the Brooklyn Museum, 1975-1999, in the major traveling exhibition Africa in Antiquity (Brooklyn, Seattle, New Orleans, The Hague, Netherlands) 1978-1979, and in the exhibition Antiquities from the Christos G
collection/search/545027 https://www.metmuseum.org/art/collection/search/545027 Link

collection/search/436138 https://www.metmuseum.org/art/collection/search/436138 Link

From the Public Life of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1983-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
collection/search/472157 https://www.metmuseum.org/art/collection/search/472157 Link

From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
collection/search/472158 https://www.metmuseum.org/art/collection/search/472158 Link

William Roper, a Kentish landowner, lawyer, and four-time member of Parliament, was a member of Sir Thomas More’s household for more than sixteen years and married his eldest daughter, Margaret, in 1521
collection/search/436661 https://www.metmuseum.org/art/collection/search/436661 Link

The Master of Varlungo is the name attached to a group of pictures apparently dating from the last two decades of the thirteenth century. His eponymous work is a fragmentary Madonna and Child in the church of San Pietro a Varlungo, Florence
collection/search/437023 https://www.metmuseum.org/art/collection/search/437023 Link

collection/search/245376 https://www.metmuseum.org/art/collection/search/245376 Link

Inscription: Signed and dated (verso, left, in black paint): Juan Gris / ceret 10-13 [now concealed by relining; visible in infrared transmitted light; signature reproduced on relining]
collection/search/500382 https://www.metmuseum.org/art/collection/search/500382 Link

[Elia Volpi, Florence, until 1927; his sale, American Art Association, New York, April 2, 1927, no. 374, as by Margaritone d’Arezzo, for $900]; [Ercole Canessa, Paris and New York, 1927–d. 1929; his estate sale, American Art Association, New York, March 29, 1930, no
collection/search/436731 https://www.metmuseum.org/art/collection/search/436731 Link

Inscription: (Exterior legend): [image of a flower] ATTENDITE . ET . VIDETE . SI EST . DOLOR . SICVT . DOLOR . MEVS([image of a flower] Look and see if [there] is sorrow like my sorrow [Lamentations 1:12])(Interior legend): O CRUX
collection/search/708069 https://www.metmuseum.org/art/collection/search/708069 Link