Pyxis – Spanish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/471973
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Inscription: Inscriptions: Outer guard band: Qur’an, ch. II, vv. 285, 286Main border: Qur’an, ch. II, v. 256Inner guard band: Qur’an, ch. VII, vv. 203–205 Border of niche: Qur’an, ch
collection/search/446951 https://www.metmuseum.org/art/collection/search/446951 Link
1960, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1960, as a result of its financial contribution to the excavations
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collection/search/503846 https://www.metmuseum.org/art/collection/search/503846 Link
collection/search/488575 https://www.metmuseum.org/art/collection/search/488575 Link
In addition to an innovative series of portraits (see The Met 14.40.645), Antonello has left a no less inventive series of bust-length images of Christ as the Man of Sorrows
B[attista]. Cavalcaselle.
collection/search/464119 https://www.metmuseum.org/art/collection/search/464119 Link
Bartolomeo Suardi was known as Bramantino after his contemporary in Milan, the great architect Bramante (1443/44–1514); his abiding interest in perspective and architecture, reflected in the background of this rare, private devotional painting, comes from that source
collection/search/435768 https://www.metmuseum.org/art/collection/search/435768 Link
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Owned by S. Simonian, Hamburg Germany, before 2013. Published 1997 and 2003, exhibited in Frankfurt in 1999 and Vienna in 2003 and published in exhibition catalogs. Purchased from Pierre Bergé & Associés, Paris, 2013
collection/search/591557 https://www.metmuseum.org/art/collection/search/591557 Link