Head from an Osiride Statue of Hatshepsut – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/547553
collection/search/547553 https://www.metmuseum.org/art/collection/search/547553 Link
collection/search/547553 https://www.metmuseum.org/art/collection/search/547553 Link
collection/search/324108 https://www.metmuseum.org/art/collection/search/324108 Link
The Sons of Hephaistos: Aspects of the Archaic Greek bronze Industry. p. 154, Roma
collection/search/255060 https://www.metmuseum.org/art/collection/search/255060 Link
god Vishnu, Lord of the Waters, but the brass fittings on this shell indicate a link
Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
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1962, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1962, as a result of its financial contribution to the excavations
collection/search/325564 https://www.metmuseum.org/art/collection/search/325564 Link
collection/search/464300 https://www.metmuseum.org/art/collection/search/464300 Link
Inscription: (around exterior of upper half): [image of a flower] ATTENDITE . VIDETE . SI . EST . DOLOR . SICVT . DOLOR . MEV[S] (attend [and] see if there exists pain to such an extent as my pain [Lamentations 1:12])(around exterior of lower half): [image of a flower] LEVEMVS
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Here is a link to download the audio instead.
Here is a link to download the audio instead.