pere/ en France"; in pen and brown ink on verso, "37/ BAC no.31"; in graphite: "P.HL
collection/search/337088 https://www.metmuseum.org/art/collection/search/337088 Link
collection/search/253592 https://www.metmuseum.org/art/collection/search/253592 Link
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1959, excavated under the direction of Robert H. Dyson Jr. on behalf of the Hasanlu Project sponsored by the University Museum of the University of Pennsylvania, the Archaeological Service of Iran, and The Metropolitan Museum of Art; acquired by the Museum in 1960, as a result of its financial contribution to the excavations
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For the late production of Severo’s workshop, see Warren 2014, p. 140. 2.
collection/search/543900 https://www.metmuseum.org/art/collection/search/543900 Link
collection/search/488102 https://www.metmuseum.org/art/collection/search/488102 Link
Inscription: (On scroll): . Ave . / . gracia . / . ple / na . (Hail [Mary] full of grace)Marking: Arms [on shield held by two angels, center top]: Vilanova of Castile, Catalonia, etc
collection/search/468106 https://www.metmuseum.org/art/collection/search/468106 Link
Although a virtual contemporary of Jacopo Bellini, Giambono represents the final flowering of Late Gothic painting in Venice. It was the combined presence in Venice of Michelino da Besozzo, Gentile da Fabriano, and Pisanello that provided the reference points for his refined style, with its combination of decorative richness and acute description of flora and fauna
Here is a link to download the audio instead. Playlist 2639.
By 1960 and until 1972, collection of Mrs. Murray Crane (née Josephine Porter Boardman, 1872-1972), New York; 1972-1980, collection of Louise Crane (1913-1997), New York; acquired in 1980, gift of Louise Crane
collection/search/255697 https://www.metmuseum.org/art/collection/search/255697 Link
