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Spouted jar – Iran – Iron Age II, Hasanlu Period IV – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/325005

1959, excavated under the direction of Robert H. Dyson Jr. on behalf of the Hasanlu Project sponsored by the University Museum of the University of Pennsylvania, the Archaeological Service of Iran, and The Metropolitan Museum of Art; acquired by the Museum in 1960, as a result of its financial contribution to the excavations
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The Harrowing of Hell – Austrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472160

From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
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Gerard ter Borch the Younger – Portrait of a Seated Man – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435715

The first of seven paintings by Ter Borch to enter the Museum’s collection, this anonymous portrait probably dates from the late 1650s or early 1660s. The patron was presumably one of the artist’s numerous clients in and around Deventer
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Elements of an Italian Light-Cavalry Armor alla Tedesca (in the German Fashion) – Italian, Milan – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/22275?exhibitionId=%7B2bd6bac9-a0ea-4f15-8c36-180ac59e87e3%7D&oid=22275&pkgids=594&pg=1&rpp=4&pos=2&ft=*&locale=en

Inscription: Inscribed on the breastplate: CRISTVS . RES . VENIT . IN . PA/CE . ET . DEVS . HOMO . FACTVS . ES[t] (Christ the King came in peace and God was made man); on the backplate: IESVS
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