Workshop of Bernardo Daddi – The Crucifixion – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436072
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1959, excavated under the direction of Robert H. Dyson Jr. on behalf of the Hasanlu Project sponsored by the University Museum of the University of Pennsylvania, the Archaeological Service of Iran, and The Metropolitan Museum of Art; acquired by the Museum in 1960, as a result of its financial contribution to the excavations
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From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
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The first of seven paintings by Ter Borch to enter the Museum’s collection, this anonymous portrait probably dates from the late 1650s or early 1660s. The patron was presumably one of the artist’s numerous clients in and around Deventer
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him in Yorkshire Exhibition of Arts & Manufactures at Leeds, May 1875 (catalogue p
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The lower part of the statue was acquired by Karl Richard Lepsius and taken to Berlin in 1845. The head, left forearm, and parts of the throne were excavated by the Museum during the 1926-27 season and acquired in the division of finds
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Inscription: Inscribed on the breastplate: CRISTVS . RES . VENIT . IN . PA/CE . ET . DEVS . HOMO . FACTVS . ES[t] (Christ the King came in peace and God was made man); on the backplate: IESVS
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