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Ca. 1911, known and possibly purchased by Ernst Herzfeld, near Tell al-Deylam (ancient Dilbat); by 1914, collection of Frida and/or Georg Hahn, Berlin, who most probably acquired it from Ernst Herzfeld; 1939, left on deposit at the British Museum by the Hahn family; acquired by the Museum in 1947, purchased from Charlotte Weidler, New York, on behalf of Georg Hahn
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Inscription: (in each corner and in center): A [image of a knot] E [reversed] (unidentified)(on scabbard hanging from man on left): AVE : / REGINA . C[AELORVM] (Hail the Queen of the Heavens [reference to one of the Marian antiphons]) (on dog’s collar, left): OFANGRE (too fragmentary for interpretation) (on dog’s collar, center): A [image of a knot] E [reversed] (unidentified)
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From the north nave of the former Carmelite church at Boppard-am-Rhein in Rheinland-Pfalz (Rhein-Hunsrück-Kreis), near Koblenz, Germany.; Count Hermann Pückler, Muskau (from 1818) ; [ Frédéric Spitzer Austrian, Paris (from at least 1875–sold 1893)] ; his posthumous sale, Chevallier & Mannheim, Paris (April 17–June 16, 1893, no
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When it came to depicting Jesus on the Cross, many artists of the earlier Middle Ages portrayed Jesus as alive and alert, his body entirely resistant to the trauma of crucifixion. In this example, Jesus almost bears himself easily, with his torso erect, knees slightly bent, and head held high
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Donnan, Christopher B. Moche Portraits from Ancient Peru.