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Furniture plaque carved in high relief with two Egyptianizing figures flanking a volute tree – Assyrian – Neo-Assyrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/325564

1962, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1962, as a result of its financial contribution to the excavations
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The Unicorn Crosses a Stream (from the Unicorn Tapestries) – French (cartoon)/South Netherlandish (woven) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/467639

Inscription: (top center): F [image of a knot] R (too fragmentary for interpretation, most likely added later as a reference to Francius de La Rochedfoucauld) (in each corner): : A [image of a knot] E [reversed] (unidentified)(on two dog collars): A [image of a knot] E [reversed] (unidentified)
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Pair of Doors Carved in the ‚Beveled Style‘ – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/448652

Pair of DoorsAccording to Museum files, the findspot for these doors was the town of Takrit in north-central Iraq. Researchers, however, have deduced that local residents in modern times had brought them there for reuse from the ruins of Samarra, a site located on the east bank of the Tigris, about seventy-eight miles (125 km) north of Baghdad
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Human-headed winged bull (lamassu) – Assyrian – Neo-Assyrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/322608

1840s, excavated under the direction of Austen Henry Layard; 1849, presented by Layard to Lady Charlotte Guest for Canford Manor, Dorsetshire (Dorset), England; 1919, purchased by Dikran Kelekian from Ivor Churchill Guest; 1927, purchased by J
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Spherical and Biconical Gold Beads – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/706058

Beads (1980.456, .457) and pendant (30.95.37)Among the luxury arts that flourished under the Fatimid caliphs, gold jewelry stands out for its innovation and complexity. According to literary sources, prodigious amounts of such jewelry were manufactured for both royal and patrician patrons; most of these items were later melted down for currency or refashioned into newer pieces
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