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Plate with a hunting scene from the tale of Bahram Gur and Azadeh – Sasanian – Sasanian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/327497

[Before 1963, with Ayoub Rabenou]; from 1963, on loan by The Guennol Collection (Alastair Bradley Martin’s collection) to the Museum (L.63.10.2); until 1994, Alastair Bradley Martin’s family; acquired by the Museum in 1994, purchased from The Merrin Gallery, New York
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Carpet – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/446951?exhibitionId=%7B67f03ab5-3930-472a-b12a-f5f20ab10ff1%7D&oid=446951&pkgids=417&pg=1&rpp=4&pos=3&ft=*&locale=en

Inscription: Inscriptions: Outer guard band: Qur’an, ch. II, vv. 285, 286Main border: Qur’an, ch. II, v. 256Inner guard band: Qur’an, ch. VII, vv. 203–205 Border of niche: Qur’an, ch
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Zain(?) Hasan Sulaiman Isfahani – Stand for a Qur’an Manuscript – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/446151

Stand for a Qur’an Manuscript (Rahla) A masterpiece of design, this carved book stand, or rahla, is made from a single slab of teak and is framed by inlays composed of various woods in shades of brown and black
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Tusk Fragment with the Ascension – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/453638

Two Tusk Fragments with the Ascension of Christ:17.190.46 and 17.190.48Conforming to the shape of the ivory tusks from which they were carved, these two fragmentary images of the Ascension are so similar that they must have been carved by the same workshop
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