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Jean-Baptiste Greuze – Broken Eggs – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436579

Greuze was of modest birth, the son of a roofer. He received his early training in Lyons and in Paris studied drawing with Charles Joseph Natoire. In 1755, after he was accepted as a candidate member of the Académie Royale de Peinture et de Sculpture in the category of genre painter, Greuze presented five works for exhibition at the Salon
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The Hunters Enter the Woods (from the Unicorn Tapestries) – French (cartoon)/South Netherlandish (woven) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/467637

Inscription: (on each corner and center): A [image of a knot] E [reversed] (unidentified)(on dog collar; twice): AE(on dog collar bearing arms; twice): AMarking: Arms (on dog collar on right): Quarterly, 1 and 4, barry of six or and azure, the first two bars debruised by three roses gules, seeded proper; 2 and 3, or, three escutcheons gules
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Ewer with Birds and Animals – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/449633

JugMade from transparent yellowish colorless glass, this jug has a rounded body narrowed at the base of the neck and a flared opening. It stands on a low foot ring with a pontil mark at the base, and a handle with a thumb rest is attached at the rim and body
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Enthroned Virgin and Child – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/469844

This sculpture is carved out of a single slab of ivory and represents the seated Mary holding the infant Jesus (mostly missing) in her lap. Mary’s face is moon-shaped, with a high, wide forehead, a pointed chin, and almond-shaped eyes
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