Each of Moretto’s rare portraits of the 1520s and 1530s demonstrates his innovative approach to the genre, culminating in the outstanding Portrait of a Man (National Gallery, London, NG 1025) of 1526, one the earliest full-length, life-size, independent portraits in Italy
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Inscription: Printmaker’s monogram lettered in plate, within image, lower left: ‚N.B.F
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Inscription: (on each corner and center): A [image of a knot] E [reversed] (unidentified)(on dog collar; twice): AE(on dog collar bearing arms; twice): AMarking: Arms (on dog collar on right): Quarterly, 1 and 4, barry of six or and azure, the first two bars debruised by three roses gules, seeded proper; 2 and 3, or, three escutcheons gules
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baron Arthur de Schickler, Martinvast, France (by 1908–d. 1919); his daughter, comtesse Hubert de Pourtalès, Martinvast (1919; sold to Duveen); [Duveen, Paris, and Wildenstein, Paris, 1919, as by Alvise Vivarini; sold to Salomon]; William Salomon, New York (d
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