David Teniers the Younger – Judith with the Head of Holofernes – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437778
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Dagger with Scabbard – Indian, Mughal – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/24907
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Carpet – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/452309
CarpetA so-called ‘thunder-and-lightening’ symbol covers the entire field of this rug. Against this background appear a single, scalloped central medallion and four corner pieces
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Standing male worshiper – Sumerian – Early Dynastic I-II – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/323735
1933-1934, excavated under the direction of Henri Frankfort on behalf of the Oriental Institute of the University of Chicago; ceded to the Oriental Institute in the division of finds; acquired by the Museum in 1940, through an exchange of objects with the Oriental Institute
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Name Panel from Mortuary Complex of Senwosret I – Middle Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/575822
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Follower of Fra Angelico (Guido di Pietro) – Justice – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/459466?exhibitionId=%7B3d9c38ab-9b55-4695-b283-c89470bc9631%7D&oid=459466&pkgids=253&pg=1&rpp=4&pos=3&ft=*&locale=en
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Giovanni Battista Tiepolo – The Triumph of Marius – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437788
African king Jugurtha, in chains, walking before him, an event that took place in 104 B.C
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Michele Giambono (Michele Giovanni Bono) – The Man of Sorrows – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436498
Although a virtual contemporary of Jacopo Bellini, Giambono represents the final flowering of Late Gothic painting in Venice. It was the combined presence in Venice of Michelino da Besozzo, Gentile da Fabriano, and Pisanello that provided the reference points for his refined style, with its combination of decorative richness and acute description of flora and fauna
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Panel with Byzantine Ivory Carving of the Crucifixion – Byzantine (ivory); Spanish (setting) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464015
From the Benedictine convent of Santa Cruz de la Serós, Jaca; Charles Stein(?), Paris; Sir Thomas Gibson Carmichael, Bart., Castle Craig(sold 1902); Carmichael sale, Christie, Manson & Woods, London(May 12–13, 1902, no
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Moretto da Brescia (Alessandro Bonvicino) – Portrait of a Man – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437158
Each of Moretto’s rare portraits of the 1520s and 1530s demonstrates his innovative approach to the genre, culminating in the outstanding Portrait of a Man (National Gallery, London, NG 1025) of 1526, one the earliest full-length, life-size, independent portraits in Italy
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