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This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
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him in Yorkshire Exhibition of Arts & Manufactures at Leeds, May 1875 (catalogue p
collection/search/207394 https://www.metmuseum.org/art/collection/search/207394 Link

collection/search/437559 https://www.metmuseum.org/art/collection/search/437559 Link

Gold NecklaceThe striking way in which this piece, with its circular stone-set gold elements surrounded by small pearls, is stylistically reminiscent of the miniature of the zenana (harem) scene in the Met (30
collection/search/446767 https://www.metmuseum.org/art/collection/search/446767 Link

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This painting, one of the key works of Ter Borch’s maturity, probably dates from about 1660–62. Though it was painted when the artist lived in Deventer, the luxurious interior and elegantly attired figures evoke the cosmopolitan milieu of Amsterdam
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Excavated by Lord Carnarvon and Howard Carter, 1912. Acquired by Lord Carnarvon in the division of finds. Carnarvon Collection, 1912-1926. Carnarvon Collection purchased by the Museum from Lady Carnarvon, 1926
collection/search/560727 https://www.metmuseum.org/art/collection/search/560727 Link

Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
collection/search/470328 https://www.metmuseum.org/art/collection/search/470328 Link

Varvara Nikolaevna was born on July 7, 1762. The daughter of Prince Nikolai Mikhailovich Golitsyn (1727–1787) and Princess Ekaterina Aleksandrovna Golovina (1728–1769), she married Prince Sergei Sergeyevich Gagarin (1745–1798)
collection/search/436586 https://www.metmuseum.org/art/collection/search/436586 Link

Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
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