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SONG OF SOLOMON 5:16 – BE BEEWORLD: BE B BOY B GIRL (after “Emperor Xuanzong

https://www.nga.gov/artworks/223186-song-solomon-516-be-beeworld-be-b-boy-b-girl-after-emperor-xuanzong-and-yang-gueifei-playing-same

The large-scale work was inspired by a Japanese woodblock print which the artist deftly treated with her signature combination of Asian and African American cross-cultural referents to race, class, and gender. Rozeal often points to her strong childhood memories of attending Chinese New Year celebrations in Washington, DC’s Chinatown and going to Kabuki theater performances at the Kennedy Center with her family.
Matisse Advanced Artwork Search SONG OF SOLOMON 5:16 – BE BEEWORLD: BE B

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The Angel of the Annunciation by Simone Martini

https://www.nga.gov/artworks/357-angel-annunciation

This small, rich panel was originally the left side of a diptych, which, along with a right-hand panel depicting the Virgin Mary (now in the Hermitage in St. Petersburg), depicts one image of the Annunciation—the moment when the archangel Gabriel brings Mary the news that she will give birth to the Son of God.
Details of execution link the two works: the same punches were used to decorate the

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Madonna and Child Enthroned with Four Saints and Eighteen Angels [middle panel] by Puccio di Simone, Allegretto Nuzi

https://www.nga.gov/artworks/7-madonna-and-child-enthroned-four-saints-and-eighteen-angels-middle-panel

The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. The partnership of the two artists here— Puccio painted the center and right-hand panel of this tryptych and Allegretto the left—is a bit unusual, since they were not based in the same city.
Huge commissions—like Duccio’s Maestà altarpiece in Siena’s cathedral (see link

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