Desk (Secretary) – Italian, Venice – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/195332
collection/search/195332 https://www.metmuseum.org/art/collection/search/195332 Link
collection/search/195332 https://www.metmuseum.org/art/collection/search/195332 Link
collection/search/32778 https://www.metmuseum.org/art/collection/search/32778 Link
[Elia Volpi, Florence, until 1927; his sale, American Art Association, New York, April 2, 1927, no. 374, as by Margaritone d’Arezzo, for $900]; [Ercole Canessa, Paris and New York, 1927–d. 1929; his estate sale, American Art Association, New York, March 29, 1930, no
collection/search/436731 https://www.metmuseum.org/art/collection/search/436731 Link
1911–13, excavated under the direction of Baron Max von Oppenheim; ceded to Baron Max von Oppenheim in the division of finds; acquired by the Museum in 1943, purchased from the Alien Property Custodian, New York
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This group of five ivory panels are the reassembled elements of a „composite casket,“ so called by scholars because the narrative scenes that adorn them are vignettes from a variety of popular stories and chivalric romances
collection/search/464125 https://www.metmuseum.org/art/collection/search/464125 Link
collection/search/239897 https://www.metmuseum.org/art/collection/search/239897 Link
collection/search/314704 https://www.metmuseum.org/art/collection/search/314704 Link
These backgrounds link the individual scenes in a unified composition.
Inscription: „To the spirits of the dead. To the most saintly Cominia Tyche, his most chaste and loving wife, [from] Lucius Annius Festus. [She] died at the age of twenty-seven years, eleven months, twenty-eight days
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