Standard with two long-horned bulls – Hattian – Early Bronze Age III – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/324444
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Relics and Reliquaries in Medieval Christianity – The Metropolitan Museum of Art https://www.metmuseum.org/essays/relics-and-reliquaries-in-medieval-christianity
All relics bestowed honor and privileges upon the possessor, and monasteries and cathedrals sought to hold the most prestigious. Some relics were even stolen from one church, only to find a new home in another.
The body of the saint provided a spiritual link between life and death, between man
Carved Plaque from a Bracelet – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544497
collection/search/544497 https://www.metmuseum.org/art/collection/search/544497 Link
Cuneiform tablet: record of a lawsuit – Old Assyrian Trading Colony – Middle Bronze Age–Old Assyrian Trading Colony – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/325846
collection/search/325846 https://www.metmuseum.org/art/collection/search/325846 Link
Bernardino da Genoa – Madonna and Child with Angels – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435659
collection/search/435659 https://www.metmuseum.org/art/collection/search/435659 Link
S̬vres Manufactory РBreakfast Service (d̩jeuner) РFrench, S̬vres РThe Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/700289
Signature: At lower right of scene, in script: E.C. Le Guay. 1813.Marking: Tray (.1): Stamped on underside in red enamel: [1] Crowned eagle with „Manufacture / Imperiale / SEVRES“ printed around mark (Sévres factory mark 1810–14); painted in gold below Sèvres factory mark: [2] TZ (year code); painted in brown: [3] 1226; painted in gold: [4] 15 Juin; incised in gold, in script: [5] Oz:5; [6] Le VTeapot (
collection/search/700289 https://www.metmuseum.org/art/collection/search/700289 Link
Panel from a Rectangular Box – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/446285
PanelIn their time, the royal quarters at Madinat al-Zahra, the caliphal court in al-Andalus, must have been a spectacular sight, with lavish architectural decoration; luxuriant curtains, textiles, and furnishings; and sumptuous objects
collection/search/446285 https://www.metmuseum.org/art/collection/search/446285 Link
Letter written in hieratic script on papyrus – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544847
until parchment (from animal skins) started to become a rival from the 2nd century B.
Covered Jar (Hu) – China – Western Han dynasty (206 BCE–9 CE) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/49539
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Bronze neck-amphora (jar) with lid and bail handle – Greek – Archaic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/255060
von Bothmer, Dietrich. 1961. „Newly Acquired Bronzes–Greek, Etruscan, and Roman.“ Bulletin of the Metropolitan Museum of Art, 19(5): pp. 140–41, 144, figs. 10–12.Mertens, Joan R. 1985. „Greek Bronzes in the Metropolitan Museum of Art.“ Bulletin of the Metropolitan Museum of Art, 43(2): no. 19, pp. 8, 33.Krauskopf, Ingrid. 1995. „Überlegungen zur zeitlichen Diskrepanz zwi[s]chen Metallgefässen und ihren Nachbildungen in Ton.“ Vaisselle MeÌ�tallique, Vaisselle CeÌ�ramique: Productions, Usage et Valeurs en EÌ�trurie, Revue des études anciennes 97, Jean-René Jannot, ed. pp. 80, 83 n. 34, 85, fig. 2, Bordeaux: Revue des EÌ�tudes Anciennes.Stibbe, Conrad M. 2000. The Sons of Hephaistos: Aspects of the Archaic Greek bronze Industry. p. 154, Roma: L’Erma di Bretschneider.Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 93, pp. 88, 423, New York: The Metropolitan Museum of Art.
collection/search/255060 https://www.metmuseum.org/art/collection/search/255060 Link