PanelIn their time, the royal quarters at Madinat al-Zahra, the caliphal court in al-Andalus, must have been a spectacular sight, with lavish architectural decoration; luxuriant curtains, textiles, and furnishings; and sumptuous objects
collection/search/446285 https://www.metmuseum.org/art/collection/search/446285 Link
Signature: At lower right of scene, in script: E.C. Le Guay. 1813.Marking: Tray (.1): Stamped on underside in red enamel: [1] Crowned eagle with „Manufacture / Imperiale / SEVRES“ printed around mark (Sévres factory mark 1810–14); painted in gold below Sèvres factory mark: [2] TZ (year code); painted in brown: [3] 1226; painted in gold: [4] 15 Juin; incised in gold, in script: [5] Oz:5; [6] Le VTeapot (
collection/search/700289 https://www.metmuseum.org/art/collection/search/700289 Link
until parchment (from animal skins) started to become a rival from the 2nd century B.
HistoryAfter the conquest of Egypt in 31 B.C., Augustus confiscated the property
Here is a link to download the audio instead.
von Bothmer, Dietrich. 1961. „Newly Acquired Bronzes–Greek, Etruscan, and Roman.“ Bulletin of the Metropolitan Museum of Art, 19(5): pp. 140–41, 144, figs. 10–12.Mertens, Joan R. 1985. „Greek Bronzes in the Metropolitan Museum of Art.“ Bulletin of the Metropolitan Museum of Art, 43(2): no. 19, pp. 8, 33.Krauskopf, Ingrid. 1995. „Überlegungen zur zeitlichen Diskrepanz zwi[s]chen Metallgefässen und ihren Nachbildungen in Ton.“ Vaisselle MeÌ�tallique, Vaisselle CeÌ�ramique: Productions, Usage et Valeurs en EÌ�trurie, Revue des études anciennes 97, Jean-René Jannot, ed. pp. 80, 83 n. 34, 85, fig. 2, Bordeaux: Revue des EÌ�tudes Anciennes.Stibbe, Conrad M. 2000. The Sons of Hephaistos: Aspects of the Archaic Greek bronze Industry. p. 154, Roma: L’Erma di Bretschneider.Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 93, pp. 88, 423, New York: The Metropolitan Museum of Art.
collection/search/255060 https://www.metmuseum.org/art/collection/search/255060 Link
collection/search/49539 https://www.metmuseum.org/art/collection/search/49539 Link
collection/search/320636 https://www.metmuseum.org/art/collection/search/320636 Link
From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905)] ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
collection/search/471888 https://www.metmuseum.org/art/collection/search/471888 Link
From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905)] ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
collection/search/471889 https://www.metmuseum.org/art/collection/search/471889 Link
From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905)] ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
collection/search/471890 https://www.metmuseum.org/art/collection/search/471890 Link
