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Idol-Phobia in the Spanish Empire: Translating the Sacred at the Escorial Marius B.

Albert Bierstadt created this scenic view of Lake Lucerne and the Swiss Alps using dozens of sketches he made on-site. Bierstadt, a German immigrant, had returned to his birthplace for training.
. & P.

Links, 2 vols., Oxford, 1989: 2:nos. 40, 50, 85 [b], 154, 131, 171, 236, 334, discusses

When his friend Marcotte first suggested that Ingres paint Ines Moitessier, the wife of a financier and jurist, he demurred. Ingres changed his mind after being struck by her „terrible et belle tête“ (terrible and beautiful head.) The author Théophile Gautier described her as „Junolike,“ and Ingres presents her with the imposing remoteness of a Roman goddess.
1850-1934], by 1921;[2] probably her son, François,[3] comte Taillepied de Bondy [b.

With one hand resting on a baton and the other on the hilt of his sword, the sitter turns and looks down at the viewer, his haughty expression consistent with the proud swagger of his pose. As he stands before an evening sky and extensive landscape with a distant view of the bay of Genoa, light glints off his armor and deep-red sashes, draped gracefully across his body and tied to his arm, enhance his bravura.
Pictures in the collection of P. A. B.

This small, rich panel was originally the left side of a diptych, which, along with a right-hand panel depicting the Virgin Mary (now in the Hermitage in St. Petersburg), depicts one image of the Annunciation—the moment when the archangel Gabriel brings Mary the news that she will give birth to the Son of God.
Details of execution link the two works: the same punches were used to decorate the

P. T. A.

2019 Nuestra Señora: Confraternal Art and Identity in Early Colonial Lima Andrew P.

How do visual artists of the Harlem Renaissance explore black identity and political empowerment? How does visual art of the Harlem Renaissance relate to current-day events and issues? How do migration and displacement influence cultural production?
stylized masks and sculpture from Benin, Congo, and Senegal, which they viewed as a link

2020–January 31, 2021 The Subject of Painting: James Bishop and Tel Quel Karl P.