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Bartolomeo di Giovanni – The Trinity – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435618

?Jean Dollfus, Paris (in 1908); sale, Hôtel Drouot, Paris, December 20, 1985, no. 64 [Trinity in present (engaged) frame, but surmounting a Crucifixion], attributed to Alegretto Nuzi, for Fr 280,000 to Wildenstein; [Wildenstein, Paris and New York, 1985–89]
collection/search/435618 https://www.metmuseum.org/art/collection/search/435618 Link

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Anthonie van Borssom – Barnyard Scene – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435723

The first convincing argument for the attribution of this work to Van Borssom was made by Niemeijer in 1962, and the attribution was adopted by the Museum in 1990. In his approximately two dozen known paintings and in his numerous drawings, Van Borssom proves to have been an eclectic artist whose ideas came from a considerable variety of Dutch painters and draftsmen
collection/search/435723 https://www.metmuseum.org/art/collection/search/435723 Link

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Master of Flora – The Birth of Cupid – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437006

Prince Antonin Juritzky, also known as Alfred Juritzky-Warberg, Vienna or Schloss Gablitz, near Vienna (in 1923); [Nicholas A. Karger, until 193(?); sold to Kleinberger]; [Kleinberger, Paris and New York, until 1934; sold to Wildenstein]; [Wildenstein, New York, 1934–41; sold to The Met]
collection/search/437006 https://www.metmuseum.org/art/collection/search/437006 Link

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