P2050).
collection/search/329069 https://www.metmuseum.org/art/collection/search/329069 Link
collection/search/468720 https://www.metmuseum.org/art/collection/search/468720 Link
The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
collection/search/451725 https://www.metmuseum.org/art/collection/search/451725 Link
[Before 1963, with Ayoub Rabenou]; from 1963, on loan by The Guennol Collection (Alastair Bradley Martin’s collection) to the Museum (L.63.10.2); until 1994, Alastair Bradley Martin’s family; acquired by the Museum in 1994, purchased from The Merrin Gallery, New York
[adapted from Benzel, Kim, Sarah B. Graff, Yelena Rakic, and Edith W.
Here is a link to download the audio instead. Playlist 7021.
Here is a link to download the audio instead.
collection/search/437835 https://www.metmuseum.org/art/collection/search/437835 Link
Beads (1980.456, .457) and pendant (30.95.37)Among the luxury arts that flourished under the Fatimid caliphs, gold jewelry stands out for its innovation and complexity. According to literary sources, prodigious amounts of such jewelry were manufactured for both royal and patrician patrons; most of these items were later melted down for currency or refashioned into newer pieces
collection/search/706058 https://www.metmuseum.org/art/collection/search/706058 Link
collection/search/488298 https://www.metmuseum.org/art/collection/search/488298 Link
collection/search/363942 https://www.metmuseum.org/art/collection/search/363942 Link
