Inscription: Inscribed: (reverse, in a later hand) Ambrogio Borgognone fe.; (on Christ’s halo) IESVS CRISTV[S]; (on Virgin’s halo) [BE?]NIGNA; (on hem of Virgin’s cloak) NOMEN DOM[I]NI
collection/search/435656 https://www.metmuseum.org/art/collection/search/435656 Link
Said to be from Idalium, Cyprus (A Descriptive Atlas of the Cesnola Collection…, 1903, vol. 3, pt. 2, pl. LXXVIII, 1) Between 1865 and 1872, excavated in Idalium, Cyprus, by Luigi Palma di Cesnola; afterwards, collection of L
collection/search/245374 https://www.metmuseum.org/art/collection/search/245374 Link
Scale length: 625 mmBody length: 466 mmNeck length: 374 mmLength of string: 24 5/8 in. (62.5 cm)Length of body: 18 3/8 in. (46.7 cm)Width of upper bouts: 9 in. (22.8 cm)Width of middle bouts: 6 15/16 in
; five-piece pine top with ebonized hardwood binding and ebonized hardwood/pine/b/
collection/search/502048 https://www.metmuseum.org/art/collection/search/502048 Link
From the monastery of Moutiers-Saint-Jean, Côte d’Or, Burgundy, France; near Dijon; M. Ohresser, Moutier-Saint-Jean, France (until 1909) ; [ Demotte Inc., Paris (sold 1909) (?)] ; Michel Manzi French, Paris (through M
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From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
collection/search/472159 https://www.metmuseum.org/art/collection/search/472159 Link
The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
collection/search/451725 https://www.metmuseum.org/art/collection/search/451725 Link
P2050).
collection/search/329069 https://www.metmuseum.org/art/collection/search/329069 Link
This is one of a very few works that may be attributed to Berlinghiero based on analogies of style with a Crucifix in the Museo di Villa Guinigi, Lucca, that is signed „Berlingherius me pinxit.“ The painter—a key figure in the history of Tuscan painting—was from Volterra and is first documented in 1228 together with his two sons Barone and Bonaventura, both of whom, together with a third son, Marco, also became painters
collection/search/435658 https://www.metmuseum.org/art/collection/search/435658 Link
Met in 1913 through Altman’s bequest.Tiffany Racco 2023[1] Negro and Roio 1998, p. – Shearman 2003, pp. 158–59[4] Negro and Roio 1998, pp. 116–17[5] Hickson 2009, p.
collection/search/436333 https://www.metmuseum.org/art/collection/search/436333 Link
