Inscription: Recto inscribed toward the center of the upper border in pen and medium brown ink by Leonardo, script reading from right to left:ilramarro . fedele allomo vede[n]do quello adorme[n] / tato
collection/search/339130 https://www.metmuseum.org/art/collection/search/339130 Link
Baron James Mayer de Rothschild (by 1865–d. 1868) ; his son, baron Gustave de Rothschild (until d. 1911) ; his son, baron Robert de Rothschild (d. 1946) ; by descent through the Rothschild family (until 2009) ; [ sold by private agreement through Christie’s, London ; to MMA ]
the three nearest the spout preparing a goat for sacrifice while eight adjacent link
collection/search/468470 https://www.metmuseum.org/art/collection/search/468470 Link
Two Tusk Fragments with the Ascension of Christ:17.190.46 and 17.190.48Conforming to the shape of the ivory tusks from which they were carved, these two fragmentary images of the Ascension are so similar that they must have been carved by the same workshop
collection/search/453653 https://www.metmuseum.org/art/collection/search/453653 Link
collection/search/256728 https://www.metmuseum.org/art/collection/search/256728 Link
This study for the unrealized bronze equestrian monument to the Milanese duke Francesco Sforza — one of the most ambitious sculptural monuments of the Renaissance – was made by the Florentine master Antonio Pollaiuolo, probably before the celebrated commission was awarded to Leonardo da Vinci in the mid-1480s
collection/search/459186 https://www.metmuseum.org/art/collection/search/459186 Link
collection/search/328902 https://www.metmuseum.org/art/collection/search/328902 Link
collection/search/405898 https://www.metmuseum.org/art/collection/search/405898 Link
