Kongo artist – Staff with Saint Anthony of Padua – Kongo peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/318318
collection/search/318318 https://www.metmuseum.org/art/collection/search/318318 Link
collection/search/318318 https://www.metmuseum.org/art/collection/search/318318 Link
Majesty Exhibition Blog, The Metropolitan Museum of Art (blog), October 30, 2015. http
The art of the third millennium B.C. reflects not only the extraordinary developments
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd
“Upper and Lower Egypt are reunited by Mentuhotep II who establishes the capital at Thebes. Egypt is briefly ruled by competing dynasties from western Asia, but reunification occurs again under Ahmose I. Hatshepsut, the most powerful female ruler of pharaonic history, builds her unique funerary temple in western Thebes. After the reign of Ramesses III, Egypt’s power gradually declines, leading to the Third Intermediate Period.”
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/ht
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The ancient Greeks were active seafarers seeking opportunities for trade and founding new independent cities at coastal sites across the Mediterranean Sea.
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd
Attribution, Date, and Bruegel’s Working Methods: When The Met acquired The Harvesters in 1919, the extraordinarily low sale price in part had to do with the art market that had virtually collapsed during World War I
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Art of the First Cities surveys the evolution of art and culture in the land between the rivers Tigris and Euphrates and their impact on the emerging cities of the ancient world—from the Aegean and Eastern Mediterranean across Central Asia and along the Gulf to the Indus Valley—during one of the most seminal and creative periods in history.
The exhibition is made possible by Dorothy and Lewis B. Cullman.
The Background: Between 1649 and 1651, Velázquez travelled to Italy for the second and last time in his life. The main purpose of the trip was to buy paintings and sculptures for King Philip IV of Spain, and while he was in Rome, the painter also received the prestigious commission to portray Pope Innocent X (the canvas is now in the Galleria Doria Pamphilj, Rome)
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collection/search/435875 https://www.metmuseum.org/art/collection/search/435875 Link