Lidded Basket – Tutsi peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/310769
collection/search/310769 https://www.metmuseum.org/art/collection/search/310769 Link
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Foot-Combat Helm of Sir Giles Capel (1485–1556) – possibly British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/21997
Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
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Circle of “Unobadulaâ€�(?) – Zoomorphic headrest – Nguni peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/787722
collection that features a storage compartment for the owner’s valuables (2000.160.53a, b)
Exchange of Art and Ideas: The Benin, Owo, and Ijebu Kingdoms – The Metropolitan Museum of Art https://www.metmuseum.org/essays/exchange-of-art-and-ideas-the-benin-owo-and-ijebu-kingdoms
Royal pendants and masquettes, openwork bracelets, and altar sculpture are some of the art forms that found broad dissemination and usage within this region.
human attendants and warriors as well as crocodiles and fish-legged beings who link
Trade Relations among European and African Nations – The Metropolitan Museum of Art https://www.metmuseum.org/essays/trade-relations-among-european-and-african-nations
Contrary to popular views about precolonial Africa, local manufacturers were at this time creating items of comparable, if not superior, quality to those from preindustrial Europe.
Columbia University October 2003 Further Reading Bassani, Ezio, and William B.
The Cloisters Cross – British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/470305
Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
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Beaker with Relief-cut Decoration – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/452522
Cup (no. 65.172.1) and Beaker (no. 1974.45)Inevitably, the immediate models used by Iranian glassmakers following the advent of Islam came from their Sasanian heritage, which in turn had developed from a centuries-long distinctive and individual artistic tradition in the geographical area of Greater Iran
collection/search/452522 https://www.metmuseum.org/art/collection/search/452522 Link
Inca artist(s) – Miniature camelid effigy – Inca – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/309960
attachment of a textile blanket adorned with gold appliqué and cinnabar (AMNH B/
Mystery Cults in the Greek and Roman World – The Metropolitan Museum of Art https://www.metmuseum.org/essays/mystery-cults-in-the-greek-and-roman-world
A pendant to the official cults of the Greeks and Romans, mystery cults served more personal, individualistic attitudes toward death and the afterlife.
organizations of worshippers, sponsored in Roman times by wealthy patrons ( 26.60.70a,b)
Workshop of Biduinus – Portal from the Church of San Leonardo al Frigido – Italian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/471911
The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
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