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Contrary to popular views about precolonial Africa, local manufacturers were at this time creating items of comparable, if not superior, quality to those from preindustrial Europe.
Columbia University October 2003 Further Reading Bassani, Ezio, and William B.
attachment of a textile blanket adorned with gold appliqué and cinnabar (AMNH B/
Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth century, prior to the establishment of soft-paste porcelain factories.
painting compositions can be seen in an elaborate potpourri with a cover ( 50.211.82a,b)
Inscription: Inscribed in ink on mount, recto BL: Nubie.“; inscribed in ink on mount, recto BC: „Propylon du Temple de Dandour. (Tropique du Cancer)“; inscribed in ink on mount, recto BR: „No
collection/search/287194 https://www.metmuseum.org/art/collection/search/287194 Link
Cup (no. 65.172.1) and Beaker (no. 1974.45)Inevitably, the immediate models used by Iranian glassmakers following the advent of Islam came from their Sasanian heritage, which in turn had developed from a centuries-long distinctive and individual artistic tradition in the geographical area of Greater Iran
collection/search/452522 https://www.metmuseum.org/art/collection/search/452522 Link
Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father’s shop, Adélaïde Labille embarked upon her career before she was twenty
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collection/search/307975 https://www.metmuseum.org/art/collection/search/307975 Link
Inscription: Inscribed in pencil on mount, recto TRC: „93“; inscribed in ink on mount, recto BL: Nubie.“; inscribed in ink on mount, recto BC: „Vue du pronaos du Temple de Dandour. (Tropique du Cancer)“; inscribed in ink on mount, recto BR: „No
collection/search/287195 https://www.metmuseum.org/art/collection/search/287195 Link
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The Artist: The Sienese master Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique
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