Baule artist – Heddle pulley with elephant head – Baule peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/310732
collection/search/310732 https://www.metmuseum.org/art/collection/search/310732 Link
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Figure Vessel РVic̼s РThe Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/309387
Makowski, Krzysztof, Christopher B.
Gabriel Fernández Ledesma – Poster for an exhibition of student art from nine open air schools – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/746804
collection/search/746804 https://www.metmuseum.org/art/collection/search/746804 Link
Angel – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/470601
From the former transept portal of the cathedral of Saint-Lazare at Autun; Roidet-Haudaille (architect), Autun, France ; Abbé Victor Terret, Autun, France ; [ Jean Peslier, Vézelay (sold 1935)] ; [ Brummer Gallery, Paris and New York (1935–1947)]
collection/search/470601 https://www.metmuseum.org/art/collection/search/470601 Link
Painting by Habiballah of Sava – "The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/451725
The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
collection/search/451725 https://www.metmuseum.org/art/collection/search/451725 Link
Possibly workshop of Andrea Briosco, called Riccio – Triton and Nereid – Italian, Padua – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/200554
Bargello, 353 B; see Allen 2008a, pp. 108–9. 6.
Textile Fragment – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/448232
Textile FragmentThe royal textile factories of al-Andalus were famous throughout the medieval world in a period when luxury textiles constituted one of the most valuable possessions in a ruler’s treasury as well as in the trousseaux of wealthy brides
collection/search/448232 https://www.metmuseum.org/art/collection/search/448232 Link
Glass garland bowl – Roman – Early Imperial, Augustan – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/245787
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King Clothar I – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/473770
From the abbey of Moutiers-Saint-Jean, near Dijon; M. Ohresser, Moutier-Saint-Jean, France (until 1909) ; [ Demotte Inc., Paris (sold 1909) (?) ] ; Michel Manzi French, Paris (through M. Pagenel, Paris, until 1919) ; [ Demotte Inc
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Foot-Combat Helm of Sir Giles Capel (1485–1556) – possibly British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/21997
Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
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