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Tunic with Dionysian Ornament – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/447844

Tunic with Dionysos and Dionysian ThemesA longer, wider version of the tunic was the ubiquitous garment of the Late Antique period. This tunic is one of four in the Museum’s collection said to be from Akhmim, an ancient weaving center and apparently a center of both pagan and Christian thought and religion
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Sculptor/metalsmith close to Donatello – Sprite – Italian, Florence – The Metropolitan Museum of Art

https://www.metmuseum.org/ko/art/collection/search/207394

evidently commissioned by Cosimo il Vecchio de‘ Medici (before March 1432) ; subsequent Medici family owners (until at least 1516) ; Sir John William Ramsden M.P., 5th Baronet , Muncaster Castle, Ravenglass, Cumbria and Bulstrode Park, Gerrards Cross, Buckinghamshire (by 1875 when exhibited by him in Yorkshire Exhibition of Arts & Manufactures at Leeds, May 1875 (catalogue p
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Melchior of the Three Kings from an Adoration Group – German – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471431

From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg; Dutch or German Private Collection ; [ Sotheby’s, London (July 28, 1939, no. 103) ] ; [ John Hunt, Ireland (1939–sold 1952)]
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Pendants and beads – Babylonian – Old Babylonian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/329227

Ca. 1911, known and possibly purchased by Ernst Herzfeld, near Tell al-Deylam (ancient Dilbat); by 1914, collection of Frida and/or Georg Hahn, Berlin, who most probably acquired it from Ernst Herzfeld; 1939, left on deposit at the British Museum by the Hahn family; acquired by the Museum in 1947, purchased from Charlotte Weidler, New York, on behalf of Georg Hahn
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Botticelli (Alessandro di Mariano Filipepi) – The Annunciation – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/459016

Palazzo Barberini, Rome, likely 1679-at least 1881 and probably 1890; E. Volpi, Florence, as early as 1890-1905; exported from Italy, July 1905 (dated customs stamp on reverse of panel); Oscar Huldschinsky, Berlin, from 1906-May 1928; Huldschinsky sale, Cassirer and Helbing, Berlin, May 10–11, 1928, no
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