Marking: (on engraved paper label in body) Nach dem Modell / des Luigi Legnani 3347 [MS numbers] / [lyre surrounded by garland] / von Johann Anton Staufer / in Wien N-480, [MS numbers and letters] Stauffer [MS signature]
collection/search/503928 https://www.metmuseum.org/art/collection/search/503928 Link
collection/search/501876 https://www.metmuseum.org/art/collection/search/501876 Link
Brooklyn Museum. „The Opulent Era: Fashions of Worth, Doucet & Pingat,“ December 1, 1989–February 26, 1990.New York. The Metropolitan Museum of Art. „American Woman: Fashioning a National Identity,“ May 5–August 15, 2010
collection/search/155944 https://www.metmuseum.org/art/collection/search/155944 Link
collection/search/896455 https://www.metmuseum.org/art/collection/search/896455 Link
New York. The Metropolitan Museum of Art, The Costume Institute. „Death Becomes Her: A Century of Mourning Attire,“ October 21, 2014–February 1, 2015.The Metropolitan Museum of Art. „About Time: Fashion and Duration,“ October 26, 2020–February 7, 2021
collection/search/173462 https://www.metmuseum.org/art/collection/search/173462 Link
collection/search/81685 https://www.metmuseum.org/art/collection/search/81685 Link
collection/search/698851 https://www.metmuseum.org/art/collection/search/698851 Link
collection/search/191478 https://www.metmuseum.org/art/collection/search/191478 Link
collection/search/472389 https://www.metmuseum.org/art/collection/search/472389 Link
When it came to depicting Jesus on the Cross, many artists of the earlier Middle Ages portrayed Jesus as alive and alert, his body entirely resistant to the trauma of crucifixion. In this example, Jesus almost bears himself easily, with his torso erect, knees slightly bent, and head held high
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