after Andreas Achenbach – Forest Scene – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/701299
collection/search/701299 https://www.metmuseum.org/art/collection/search/701299 Link
collection/search/701299 https://www.metmuseum.org/art/collection/search/701299 Link
collection/search/188753 https://www.metmuseum.org/art/collection/search/188753 Link
collection/search/203065 https://www.metmuseum.org/art/collection/search/203065 Link
collection/search/846965 https://www.metmuseum.org/art/collection/search/846965 Link
This well-made vessel is similar to 1975.1.1690, but cut down at the neck. The dragon medallions are clearly visible on this piece, as is the seam that joined the upper portion of the vessel to the lower during its manufacture
collection/search/461223 https://www.metmuseum.org/art/collection/search/461223 Link
collection/search/29684 https://www.metmuseum.org/art/collection/search/29684 Link
collection/search/451649 https://www.metmuseum.org/art/collection/search/451649 Link
From Vulci, Italy (Bonaparte 1829, p. 112, no. 1193) March 1829, excavated in Vulci; collection of Lucien Bonaparte, 1st Prince of Canino; until 1914, collection of Edward J. Jekyll; [1914, purchased by Edward Perry Warren through Christie, Manson, and Woods, London (E
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Marking: Two watermarks appear in the paper of these cards. One is in the form of a fork-tailed Gothic letter „p“ surmounted by a quatrefoil and appears at least in part, on the 2 of Nooses, the 2 of Dog Collars and the queen of Horns
Here is a link to download the audio instead.
Here is a link to download the audio instead.