Antonello is one of the most fascinating geniuses of Italian painting. His career remains poorly documented, and the means by which he became adept at the Netherlandish technique remain somewhat conjectural
collection/search/435581 https://www.metmuseum.org/art/collection/search/435581 Link
Among his many exhibits at the Paris Salon of 1763, Greuze showed a head of a boy and two heads of girls; all were the same relatively small size of the present picture but no two were identified as a pair
collection/search/436588 https://www.metmuseum.org/art/collection/search/436588 Link
Henry II, King of France (until d. 1559); Carl August, Grand Duke of Saxe-Weimar-Eisenach, Residenzschloss, Weimar (by 1804–d. 1828); by descent to Wilhelm Ernst, Grand Duke of Saxe-Weimar-Eisenach, Residenzschloss, Weimar, later Schloss Heinrichau, Lower Silesia, Germany (now Henryków, Poland) (1901–d
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collection/search/325846 https://www.metmuseum.org/art/collection/search/325846 Link
collection/search/323526 https://www.metmuseum.org/art/collection/search/323526 Link
collection/search/459466 https://www.metmuseum.org/art/collection/search/459466 Link
collection/search/61678 https://www.metmuseum.org/art/collection/search/61678 Link
The daughter of an army sergeant, Hendrickje Stoffels advanced in Rembrandt’s household from servant (by 1649) to mistress, presumed model, and common-law wife, as well as stepmother to the artist’s son Titus (1641–1668) and mother of his daughter Cornelia (1654–1685)
collection/search/437396 https://www.metmuseum.org/art/collection/search/437396 Link
collection/search/575822 https://www.metmuseum.org/art/collection/search/575822 Link
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