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Raphael (Raffaello Sanzio or Santi) – The Agony in the Garden – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437371

the convent of Sant’Antonio da Padova, Perugia (until 1663; sold to Christina); Christina, former Queen of Sweden, Rome (1663–d. 1689; unnum. inv., ca. 1689); Cardinal Decio Azzolino, Rome (d. 1689); his nephew, marchese Pompeo Azzolino, Rome (1689–96; sold to Odescalchi); principe Livio Odescalchi, duca di Bracciano, Rome (1696–d
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Kushite Pharaoh – Third Intermediate Period – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/545027

Christos Bastis Collection, New York, from 1975; exhibited as a loan to the Brooklyn Museum, 1975-1999, in the major traveling exhibition Africa in Antiquity (Brooklyn, Seattle, New Orleans, The Hague, Netherlands) 1978-1979, and in the exhibition Antiquities from the Christos G
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The Baptism of Christ – Austrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472157

From the Public Life of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1983-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
collection/search/472157 https://www.metmuseum.org/art/collection/search/472157 Link

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The Agony in the Garden – Austrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472158

From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
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Style of Jacob Backer – Portrait of an Old Woman – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435597

When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
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