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For over a century scholars have considered whether or not this sympathetic portrait of an old man is a self-portrait by El Greco. Lafond (1906) described the seemingly Romantic notion as at best a plausible hypothesis, and a number of more recent scholars (for example, Wethey 1962) have rejected the idea, mainly on the basis of comparisons with presumed self-portraits inserted by El Greco into several of his major religious pictures (see also Christiansen 2003)
collection/search/436574 https://www.metmuseum.org/art/collection/search/436574 Link

Pair of DoorsAccording to Museum files, the findspot for these doors was the town of Takrit in north-central Iraq. Researchers, however, have deduced that local residents in modern times had brought them there for reuse from the ruins of Samarra, a site located on the east bank of the Tigris, about seventy-eight miles (125 km) north of Baghdad
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The Artist: Together with Maso di Banco (for which see 43.98.13), Taddeo Gaddi was Giotto’s most celebrated pupil and assistant
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collection/search/437835 https://www.metmuseum.org/art/collection/search/437835 Link

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Handbook of the Classical Collection. p. 77, fig. 46, New York: The Metropolitan – Shapes and Names of Athenian Vases. p. 25, fig. 161, New York: Plantin Press.Richter
collection/search/248906 https://www.metmuseum.org/art/collection/search/248906 Link

collection/search/42703 https://www.metmuseum.org/art/collection/search/42703 Link

collection/search/436139 https://www.metmuseum.org/art/collection/search/436139 Link

collection/search/488298 https://www.metmuseum.org/art/collection/search/488298 Link

Footed BowlAlong with gilded examples, the most treasured glass objects in the Islamic world were the enameled ones, which developed during the thirteenth and fourteenth centuries in Syria and Egypt under the Ayyubids and Mamluks
collection/search/444717 https://www.metmuseum.org/art/collection/search/444717 Link