Horse Bridle or Belt Ornaments – Spanish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464759
Their design and decorative techniques link them to other pieces of fine metalwork
Their design and decorative techniques link them to other pieces of fine metalwork
Owned by S. Simonian, Hamburg Germany, before 2013. Published 1997 and 2003, exhibited in Frankfurt in 1999 and Vienna in 2003 and published in exhibition catalogs. Purchased from Pierre Bergé & Associés, Paris, 2013
collection/search/591557 https://www.metmuseum.org/art/collection/search/591557 Link
collection/search/336570 https://www.metmuseum.org/art/collection/search/336570 Link
Muscarella, Oscar White. 1974. Ancient Art: The Norbert Schimmel Collection no. 60, Mainz am Rhein: Verlag Philipp von Zabern.von Bothmer, Dietrich, Carlos A. Picón, Joan R. Mertens, and Elizabeth J
collection/search/255948 https://www.metmuseum.org/art/collection/search/255948 Link
collection/search/324444 https://www.metmuseum.org/art/collection/search/324444 Link
Here is a link to download the audio instead.
Length of Fabric>One of the more popular layouts with Ottoman textile artists, and one that eventually found its way into other media such as ceramic tile decoration, the pattern on this fabric fragment features parallel undulating vines adorned with leaves and flowers
collection/search/451101 https://www.metmuseum.org/art/collection/search/451101 Link
This crucifix was made to be carried in processions and is painted on both sides. Before entering the Kress collection (Shapley 1966) the two sides were separated, but they were re-united in the Museum in 1988
collection/search/437020 https://www.metmuseum.org/art/collection/search/437020 Link
In addition to an innovative series of portraits (see The Met 14.40.645), Antonello has left a no less inventive series of bust-length images of Christ as the Man of Sorrows
B[attista]. Cavalcaselle.