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on the Tiwanaku Frontier.� Latin American Antiquity 12, no. 1 (2001): 67-83. http

It was also a period of great wealth marked by extensive mercantile activities and a flourishing of urban life, Buddhist thought, and the visual arts.
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd

The Painting and its History: The greatest portraitist of noblemen at the court of Philip IV in Spain, Velázquez was also a master of making vibrant likenesses, often bust-length, of less high-standing sitters
collection/search/437875 https://www.metmuseum.org/art/collection/search/437875 Link

The Maya Vase Database. http://research.mayavase.com 2001 Newsome, Elizabeth A.

Last modified August 24, 2004, http://argentina.indymedia.org/news/2004/08/218027

The Painting: In his mid-fifties and at the height of his career, Paul Cézanne began a series of paintings, drawings, and watercolors of card players. The unprecedented repetition of the theme of card players and the monumental scale at which he chose to work in two of the later canvases demonstrate the significance of the project for him
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The canvas is signed and dated 1647, a year after Charles Le Brun, the future premier peintre du roi under Louis XIV, returned to Paris from a period of study in Rome. In Paris, where he had been the pupil of François Perrier and spent time in the workshop of Simon Vouet, his work had caught the attention of Nicolas Poussin, who had returned to the French capital to work for the king in 1640
collection/search/442761 https://www.metmuseum.org/art/collection/search/442761 Link

The Picture: A vase of flowers stands on a stone socle, its contents spilling forth from the surrounding alcove. Visible on the heavily shadowed vase, perhaps made of terracotta or gilt bronze, are the plump figure of a reclining putto, vegetable ornamentation, and a grotesque face
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successors of the Medes, the Persians, whose king Cyrus captured Sardis in 546 B.C
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd

Circus Sideshow and Seurat’s Career: Circus Sideshow is one of only six major figure paintings Seurat created during his short but influential career. Born and raised in Paris as the son of a customs official, he pursued classical art training, including at least three years at the École des Beaux-Arts, and spent a year (1879–80) in military service in Brest before establishing himself as a professional artist in France’s capital city
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