Tutsi artist – Panel – Tutsi peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/320815
collection/search/320815 https://www.metmuseum.org/art/collection/search/320815 Link
collection/search/320815 https://www.metmuseum.org/art/collection/search/320815 Link
collection/search/319903 https://www.metmuseum.org/art/collection/search/319903 Link
Inscription: Inscribed in ink on mount, recto BL: Nubie.“; inscribed in ink on mount, recto BC: „Propylon du Temple de Dandour. (Tropique du Cancer)“; inscribed in ink on mount, recto BR: „No
collection/search/287194 https://www.metmuseum.org/art/collection/search/287194 Link
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The Crusaders then took over many of the cities on the Mediterranean coast and built a large number of fortified castles all over the Holy Land to protect their new territories.
sometimes combines an Islamic aesthetic with Christian subject matter ( 1971.39a,b)
collection/search/307975 https://www.metmuseum.org/art/collection/search/307975 Link
Inscription: Inscribed in pencil on mount, recto TRC: „93“; inscribed in ink on mount, recto BL: Nubie.“; inscribed in ink on mount, recto BC: „Vue du pronaos du Temple de Dandour. (Tropique du Cancer)“; inscribed in ink on mount, recto BR: „No
collection/search/287195 https://www.metmuseum.org/art/collection/search/287195 Link
Here is a link to download the audio instead.
The art of Iran in the nineteenth century must be understood as comprising two divergent yet intertwined trends, a push for modernity and a continuation of indigenous traditions.
accessible sites such as Taq-i Bustan and Rayy and were thus meant to publicly link
collection/search/321295 https://www.metmuseum.org/art/collection/search/321295 Link