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Paintings of Love and Marriage in the Italian Renaissance – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/paintings-of-love-and-marriage-in-the-italian-renaissance

Numerous contemporary authors wrote about the efficacy of such images in stimulating married couples hoping for children, as well as about the belief that visual beauty before a couple’s eyes could influence the appearance of their offspring.
A consortium of painters led by Andrea del Sarto, alongside Jacopo Pontormo, Francesco

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ÃŒgbèsànmwà (ivory- and wood- carving guild) artists – Pendant mask of ÃŒyá»�Ì�bà Idià – Edo – The Metropolitan Museum of Art

https://www.metmuseum.org/Collections/search-the-collections/318622

Commissioned by Ẹsìgie (r. ca. 1517–50), Benin City; by descent to Òvá»�Ì�nránmwẹ̀ (r. 1889–97); removed from the Royal Palace by Sir Ralph Moor, 1897; Sir Ralph Moor and his wife, Adrienne Moor, London, 1897–1909; John Sparks, London, 1909; Prof
This access to an influx of brass led to an explosion of creativity by court artists

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ÃŒgbèsànmwà (ivory- and wood- carving guild) artists – Pendant mask of ÃŒyá»�Ì�bà Idià – Edo – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/318622

Commissioned by Ẹsìgie (r. ca. 1517–50), Benin City; by descent to Òvá»�Ì�nránmwẹ̀ (r. 1889–97); removed from the Royal Palace by Sir Ralph Moor, 1897; Sir Ralph Moor and his wife, Adrienne Moor, London, 1897–1909; John Sparks, London, 1909; Prof
This access to an influx of brass led to an explosion of creativity by court artists

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Francesco Francia – Madonna and Child with Saints Francis and Jerome – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436335

In this painting, the Madonna and Child are flanked by Saint Francis to the left, shown in the gray habit of the Franciscan order and holding the cross within his stigmata-marked hand, and Saint Jerome to the right, attired in the red robes of a cardinal, signifying his service to Pope Damasus I (305–384 CE)
The individual quality of the figure led Bernard Berenson to hypothesize that this

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