Los primeros indicios de metalurgia hallados en el istmo de Panamá se remontan a
Ancient Panama Los primeros indicios de metalurgia hallados en el istmo de Panamá se
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Aunque el ave fue derrotada, se le veneraba como deidad y se le asimilaba con Itzamnaaj
Los especialistas en piedra de Costa Rica demostraron una gran habilidad en la creación de obras de piedra como metates, figuras zoomorfas y antropomorfas y esferas.
Se aprovechaban fuentes de materia prima cercanas a los asentamientos, en especial
«Los Incas […] adquirieron innumerables riquezas de oro y plata y otras cosas valiosas, como piedras preciosas y conchas coloradas, que estos indígenas entonces estimaban más que la plata o el oro.» —Pedro Sarmiento de Gamboa, 1572 Reinos En A
preciosos y otros materiales estimados por su color y por su brillo, estas obras se
This study for the unrealized bronze equestrian monument to the Milanese duke Francesco Sforza — one of the most ambitious sculptural monuments of the Renaissance – was made by the Florentine master Antonio Pollaiuolo, probably before the celebrated commission was awarded to Leonardo da Vinci in the mid-1480s
Boston, Isabella Stewart Gardner Museum, Boston, 2014, cat. no. 6, pp. 139–41; K.
The Painting: A man with a mustache and closed eyes is depicted in profile from the waist up, lying in a bed. He wears what appears to be a sort of turban and open white shirt, with the weight of his head and elbows forming a deep lozenge-shaped impression in the ample pillow and bedding
(62 x 51 cm) (Harvard University Art Museums, Cambridge, Massachusetts, Arthur K.
Watteau did not participate in public exhibitions, nor title his pictures, whose meaning is often difficult to fathom. This late work is clearly a theatrical subject, and as he is known to have made drawings of comic actors and quacks from an early age, he must have been interested in the theater throughout his short life
Privatbesitz,“ January 25–March 12, 1883, no. 8 (of works in the Rococo-Galerie, lent by Se
The Artist: The great history painter and portraitist Jacques Louis David studied with Joseph Marie Vien and then, in 1766, entered the school of the Académie Royale de Peinture et de Sculpture
Bianchi (1904–1913 or after); their daughters, Renée, vicomtesse Fleury, Thérèse
