Bottle Vase by Chinese Qing Dynasty https://www.nga.gov/artworks/1664-bottle-vase
Decorative Arts, Part II: Far Eastern Ceramics and Paintings; Persian and Indian
Decorative Arts, Part II: Far Eastern Ceramics and Paintings; Persian and Indian
You may know Georgia O’Keeffe, but have you heard of Tonita Peña? Learn about the many artists inspired by the Southwest.
At the Santa Fe Indian School (“the Studio”), he learned a style of painting influenced
Experience the wonder of nature through the eyes of artists. Look closely at art depicting insects and other animals alongside real specimens.
Pavo cristatus (Indian Peafowl) (peacock), loan courtesy of National Museum of Natural
Carrie Mae Weems’s series of seven photographs reframes a Civil War memorial to create a complex and compelling narrative about African American history.
Bronzeville we became killers of sheep men of letters, women of steel”; “Jet Black or Indian
The Center for Advanced Study in the Visual Arts resident community of international scholars consists of the Kress-Beinecke Professor, the Andrew W. Mellon Professor, the Edmond J. Safra Visiting Professor, the A. W. Mellon Lecturer in the Fine Arts, and approximately 18 fellows at any one time, including senior fellows, visiting senior fellows, guest scholars, research associates, postdoctoral fellows, and predoctoral fellows.In addition, the Center supports an internship program with Howard University and approximately 15 predoctoral fellows who are conducting research elsewhere, both in the United States and abroad.
Unmaking Tradition: Native Designers and the Representation of Knowledge during the “Indian
Exploring the details of this 18th-century painting, learn the story of Native Americans’ participation in the American Revolution and their long-standing fights for land rights.
passengers was Colonel Guy Johnson, the British superintendent of northern American Indians
New York Paul Mellon Senior Fellow Catechetical Pictography and the Art of Being Indian
In June 1871, Thomas Moran, a gifted young artist working in Philadelphia, boarded a train that would take him to the far reaches of the western frontier and change the course of his career. Just a few months earlier he had been asked to illustrate a magazine article describing a wondrous region in Wyoming called Yellowstone—rumored to contain steam-spewing geysers, boiling hot springs, and bubbling mud pots.
Instead, the dazzling colors of the sculpted cliffs and an equally colorful band of Indians
Chef and Native American food historian Loretta Barett Oden reflects on her friendship with artist G. Peter Jemison.
Peter Jemison (Seneca Nation of Indians, Heron Clan), but I know him as “Pete.”
How artists based in Iowa, from the early 20th century to today, have crafted their own visions of the region.
racial, social, and economic change happening across the rural United States and Indian