The Arms and Armor department collects, preserves, researches, publishes, and exhibits the art of the armorer, swordsmith, and gunmaker.
Art View More Department Info Highlights On View Dagger with Scabbard Indian
Explores Tibetan mandalas from their ancient origins to the present day, providing a contemporary perspective on a centuries-old Buddhist model of the universe.
Twenty-One Emanations of the Goddess Tara Tibet 14th century Portrait of the Indian
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
were produced at Qing imperial workshops; a rare portrait of Joanna de Silva, an Indian
Search art at the Metropolitan Museum.
David Lucas 1829 Northeast View of Lower Ghaut in the City of Patna, in an Anglo-Indian
As the Europeans were introduced to many new kinds of textiles, carpets, spices, and clothing, so too was the Islamic world enriched.
engravings in sixteenth-century illustrated Bibles presented by Jesuit missionaries, Indian
Contrary to popular views about precolonial Africa, local manufacturers were at this time creating items of comparable, if not superior, quality to those from preindustrial Europe.
had established trade links with the Mediterranean world, western Asia, and the Indian
The Index of Asian American and Pacific Islander Artists (IAAPI) is a research aid for identifying publications in Watsonline, the online catalog of the Metropolitan Museum of Art libraries, by and about artists of Asian and Pacific Islander heritage who have lived, worked, and studied in North America, primarily the United States.
Hawaiian, and Pacific Islander heritages, from the Far East, Southeast Asia, the Indian
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Francisco Mora Taller de Gráfica Popular, Mexico City 1959 The Franciscan and the Indian
The Andrew W. Mellon Postdoctoral Curatorial Fellowship is a two-year fellowship for a postdoctoral scholar at an early stage of their career to gain curatorial training and experience, and to engage with a community of staff and scholars from around the world.
The diversity of Indian art and culture, even within a concentrated period, will
Great Zimbabwe’s architectural layout and material culture have been key in understanding the site’s settlement history and economic, social, and political organization.
smelting, copper and gold working, and the trade of gold and ivory on the coast of the Indian
