“At times he would say, I need to put more Indian in my art, other times he would
April 14, 2018 – August 12, 2018 | G370 | Free Exhibition This exhibition premieres in the United States Such a Morning (2017) by New Delhi–based artist Amar Kanwar. A tale of quiet engagement with truth, the film begins with a solar eclipse, and follows a math professor as he isolates himself in an abandoned train carriage
Skip to main content Amar Kanwar Indian, born 1964 Still from Such a Morning
April 14, 2018 – August 12, 2018 | G370 | Free Exhibition This exhibition premieres in the United States Such a Morning (2017) by New Delhi–based artist Amar Kanwar. A tale of quiet engagement with truth, the film begins with a solar eclipse, and follows a math professor as he isolates himself in an abandoned train carriage
Skip to main content Amar Kanwar Indian, born 1964 Still from Such a Morning
Skip to main content Pueblo Indian Buffalo Dancer, 20th century Richard Loretto
November 12, 2021 – April 10, 2022 | Perlman Gallery | Free Exhibition For Pothi Khana (Hindi for “archive room”), photographic artist Dayanita Singh (b. New Delhi, India, 1961) challenges the perceived limitations of her medium, literally taking photographs „off the wall“ and into modular teakwood structures
Skip to main content Dayanita Singh (Indian, born 1961) Pothi Khana, 2018 30
Skip to main content Dayanita Singh (Indian, born 1961) Pothi Khana, 2018 30
pair of rooms from the 1772 home of John Stuart, the British Superintendent of Indian
October 22, 2023 – January 14, 2024 | Target Gallery | General Admission $20; Contributor Member+ Free (additional tickets $16); Youth 17 and under Free Reserve Tickets Enter into the vivid worlds of Native photography, as framed by generations of First Nations, Métis, Inuit, and Native American photographers themselves. Presenting over 150 photographs of, by, and for Indigenous people, “In Our Hands” welcomes all to see through the lens held by Native photographers
Skip to main content Cara Romero, Chemehuevi, born 1977, TV Indians, 2017, archival
pair of rooms from the 1772 home of John Stuart, the British Superintendent of Indian
Collection highlights, such as a recently conserved 1,000-year-old Indian sculpture
