Dein Suchergebnis zum Thema: Hand

‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 8 October [1930]‘, Edward Renouf, recipient: Anny Schey von Koromla, 8 October [1930] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-20/letter-from-edward-renouf-to-anny-schey-von-koromla

8 October Dear Baroness Schey! I was in Innsbruck early this morning and sent you a postcard via the ‘varsity box’ there. When I returned there were several letters waiting for me. One from the American Consul in Munich, saying I shouldn’t have too much difficulty getting a passport. Another from Clifford in Paris. As usual, he writes only about Ellen. He says she’s an angel and that he loves her more ardently than any man or woman has ever loved before! Those two should go out in society. C suggested they take an aunt along as a chaperone, not …
On the one hand he was dismayed by these letters because they made him see what an

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‘‘Photographs‘, collection owner: Eileen Agar, 1917–91‘, collection owner: Eileen Agar, 1917–91 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-9222-4/agar-photographs?page=6

This series contains photographs of Agar’s artwork, photographs of Agar and other people, and photographs of places, including Ploumanach. For other photographs of and by Agar, please see TGA 8927.
Agar date not known Two slides joined together, an abstract pattern on the left hand

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‘‘Personal papers of and artworks by Eileen Agar‘, collection owner: Eileen Agar, 1917–92‘, collection owner: Eileen Agar, 1917–92 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-9222/personal-papers-of-and-artworks-by-eileen-agar?page=12

Available online are items a range of Eileen Agar’s artworks and writings which shed light on her working methods, including her extensive use of found objects, and her involvement in the Surrealist movement. Artworks which have been digitised include sculptures constructed from found objects and preparatory tracings for her series of paintings of rocks at Ploumanach. Several of Agar’s writings and notebooks, which provide some insight into her life, working methods, and reflections on art, can also be seen online. Details of the remainder of the collection can be found on the Archive catalogue.
Agar date not known Two slides joined together, an abstract pattern on the left hand

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‘‘Photograph collection belonging to Eileen Agar‘, collection owner: Eileen Agar, [1930s–1960s]‘, collection owner: Eileen Agar, [1930s–1960s] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-8927/photograph-collection-belonging-to-eileen-agar?page=2

This collection of Eileen’s Agar’s photographs have all been digitised. Most of the photographs were taken by Eileen Agar and her husband, Joseph Bard on their trips abroad, and around the UK, from the 1930s up until around 1960. Subjects of the photographs include architecture, landscapes, and seaside towns and villages, along with portrait and group photographs of Eileen, Joseph, and their friends, including notable artists and fellow surrealists such as Man Ray, Paul Éluard and Pablo Picasso. Some of the photographs relate to sections of Agar’s autobiography, ‚A look at my life‘ which is noted on the item records …
1950s] Photograph of a man feeding seagulls Eileen Agar [1950s] Photograph of a hand

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