Dein Suchergebnis zum Thema: Hand

‘‘Photographs of animals‘, collection owner: Eileen Agar, [1930s–1960s]‘, collection owner: Eileen Agar, [1930s–1960s] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-8927-1/agar-photographs-of-animals?page=2

Photographs of animals, mostly taken by Agar. Includes pictures of pets, farm animals, horses, seagulls and some pictures of animals taken in the zoo.
1950s] Photograph of a man feeding seagulls Eileen Agar [1950s] Photograph of a hand

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‘‘The remaining sketchbooks and sketches of Marie-Louise von Motesiczky‘, collection owner: Marie-Louise Von Motesiczky, 1920s–1990s‘, collection owner: Marie-Louise Von Motesiczky, 1920s–1990s – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20204/von-motesiczky-the-remaining-sketchbooks-and-sketches-of-marie-louise-von-motesiczky?page=6

Available online are Marie-Louise von Motesiczky’s sketches, sketchbooks, framed items and drawings on canvases. Details of the remainder of the collection can be found on the Archive catalogue.
Chair’ Marie-Louise Von Motesiczky date not known Sketch titled ‘Seated Girl, Hand

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‘‘Sketchbooks and preparatory sketches of Marie-Louise von Motesiczky‘, collection owner: Marie-Louise Von Motesiczky, 1920s–1990s‘, collection owner: Marie-Louise Von Motesiczky, 1920s–1990s – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20204-1/von-motesiczky-sketchbooks-and-preparatory-sketches-of-marie-louise-von-motesiczky?page=6

‘Sketchbooks and preparatory sketches of Marie-Louise von Motesiczky‘, collection owner: Marie-Louise Von Motesiczky, 1920s–1990s – part of the digitised collection of the Tate Archive
Chair’ Marie-Louise Von Motesiczky date not known Sketch titled ‘Seated Girl, Hand

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‘‘Artwork‘, collection owner: Felicia Browne, [1920s–1930s]‘, collection owner: Felicia Browne, [1920s–1930s] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-201023-1/browne-artwork?page=2

This series contains examples of Felicia Browne’s artwork, including three sketchbooks filled in between 1925-1936. The first two contain sketches of labourers and working class men in London whilst the third includes sketches from Browne’s time in Spain shortly before her death. In addition there are numerous studies of nudes and sketches from Browne’s trips to Hungary, the Czech Republic and Russia in the early 1930s. There are also instances of her design work (see TGA 201023/1/135-170) including three sketches which may be preparatory sketches for Browne’s entry for the competition to find a design for the Tolpuddle Martyrs Medal, …
as many drawings and a sketchbook covering her travels through Europe and first-hand

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 8 October [1930]‘, Edward Renouf, recipient: Anny Schey von Koromla, 8 October [1930] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-20/letter-from-edward-renouf-to-anny-schey-von-koromla

8 October Dear Baroness Schey! I was in Innsbruck early this morning and sent you a postcard via the ‘varsity box’ there. When I returned there were several letters waiting for me. One from the American Consul in Munich, saying I shouldn’t have too much difficulty getting a passport. Another from Clifford in Paris. As usual, he writes only about Ellen. He says she’s an angel and that he loves her more ardently than any man or woman has ever loved before! Those two should go out in society. C suggested they take an aunt along as a chaperone, not …
On the one hand he was dismayed by these letters because they made him see what an

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