Paul Neagu 1938–2004 | Tate https://www.tate.org.uk/art/artists/paul-neagu-1692
Artist page for Paul Neagu (1938–2004)
Tactile Table Paul Neagu 1970 Tactile Object 3 Paul Neagu 1970 Empty Hand
Dein Suchergebnis zum Thema: Hand
The Apotheosis of James I and Other Studies: Multiple Sketch for the Banqueting House Ceiling, Whitehall c.1628‒30 by Peter Paul Rubens | Tate https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/the-apotheosis-of-james-i-and-other-studies-multiple-sketch-for-the-banqueting-house-ceiling-whitehall-c162830-by-peter-paul-rubens
The left hand board is 255mm wide, the central board 135mm and the right hand board
Automatism | Tate https://www.tate.org.uk/art/art-terms/a/automatism
Tate glossary definition for automatism: In art, automatism usually refers to the accessing of material from the subconscious or unconscious mind as part of the creative process – as seen in the art of the surrealist movement
aiming to write as rapidly as possible without intervening consciously to guide the hand
Portrait of William Style of Langley 1636, British School 17th Century | Tate https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/portrait-of-william-style-of-langley-1636-british-school-17th-century
William Style of Langley 1636 Fig.5 Infrared reflectograph detail of the gloved hand
‘‘The remaining sketchbooks and sketches of Marie-Louise von Motesiczky‘, collection owner: Marie-Louise Von Motesiczky, 1920s–1990s‘, collection owner: Marie-Louise Von Motesiczky, 1920s–1990s – Tate Archive | Tate https://www.tate.org.uk/art/archive/tga-20204/von-motesiczky-the-remaining-sketchbooks-and-sketches-of-marie-louise-von-motesiczky?page=7
Available online are Marie-Louise von Motesiczky’s sketches, sketchbooks, framed items and drawings on canvases. Details of the remainder of the collection can be found on the Archive catalogue.
Marie-Louise Von Motesiczky date not known Sketch titled ‘Henriette with Chin on Left Hand
Audio Description: Works by Ima-Abasi Okon | Tate https://www.tate.org.uk/art/artists/ima-abasi-okon-30538/audio-description-works-ima-abasi-okon
The label tells me this is polished steel, LED lights, hand-blown lead crystal, palm
The Whig Junto 1710 by John James Baker | Tate https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/the-whig-junto-1710-by-john-james-baker
In 2016 and before arrival at Tate it was hand lined for the first time to a fairly
Portrait of a Man in a Slashed Doublet c.1605, attributed to Sir William Segar | Tate https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/portrait-of-a-man-in-a-slashed-doublet-c1605-attributed-to-sir-william-segar
reflectogram of the head Fig.6 Infrared reflectogram of the sitter’s left hand
Series, Serial, Serial Art | Tate https://www.tate.org.uk/about-us/projects/nanorestart/series-serial-serial-art
The third case study of NANORESTART has commenced, thanks to the curators at Tate Modern deinstalling Eva Hesse Addendum 1967 from display.
Once soaked, it is then broken down by hand to create a paper pulp which is then
‘‘Photographs of animals‘, collection owner: Eileen Agar, [1930s–1960s]‘, collection owner: Eileen Agar, [1930s–1960s] – Tate Archive | Tate https://www.tate.org.uk/art/archive/tga-8927-1/agar-photographs-of-animals?page=2
Photographs of animals, mostly taken by Agar. Includes pictures of pets, farm animals, horses, seagulls and some pictures of animals taken in the zoo.
1950s] Photograph of a man feeding seagulls Eileen Agar [1950s] Photograph of a hand