North Atlantic Ocean, Cliffs of Moher I by Hiroshi Sugimoto https://www.nga.gov/artworks/99167-north-atlantic-ocean-cliffs-moher-i
Marks Inscriptions on mount, lower right in graphite: Hiroshi Sugimoto; by later hand
Dein Suchergebnis zum Thema: Hand
Sunup by Gordon Parks https://www.nga.gov/artworks/197925-sunup
by artist, on recto bottom right in graphite: Gordon Parks; on verso, by unknown hand
Bumping Clowns by Wayne Thiebaud, Emily York, Sam Carr-Prindle, Courtney Sennish, Crown Point Press https://www.nga.gov/artworks/220027-bumping-clowns
Inscriptions & Marks Inscriptions lower right verso in graphite by unknown hand
Clown by Wayne Thiebaud, Emily York, Sam Carr-Prindle, Courtney Sennish, Crown Point Press https://www.nga.gov/artworks/220033-clown
Inscriptions & Marks Inscriptions lower right verso in graphite by unknown hand
Joos van Cleve | National Gallery of Art https://www.nga.gov/artists/1146-joos-van-cleve
Discover works by Joos van Cleve and learn about the artist
Salzburg, 1972: 189-195. 1986 Hand, John Oliver and Martha Wolff.
Hunting Along the Mexican Border by Ed Irwin https://www.nga.gov/artworks/226837-hunting-along-mexican-border
.; on verso, by unknown hand, along right edge in graphite: Hunting along the Mexican
Boy in a Red Waistcoat by Paul Cezanne https://www.nga.gov/artworks/93044-boy-red-waistcoat
This painting evokes the art of the past only to break boldly with its conventions. The boy is posed like an aristocrat in a 16th-century Italian portrait.
His right hand, to our left, is planted on that hip.
Amnon and Tamar by Guercino https://www.nga.gov/artworks/66775-amnon-and-tamar
our right, is raised to shoulder height, elbow pointed out at the woman, and that hand
The Deposition by Anonymous Artist https://www.nga.gov/artworks/1609-deposition
He has holes in the hand and foot we can see and a gash over his right ribs.
Hallway, Italian Restaurant by Guy Pène du Bois https://www.nga.gov/artworks/46612-hallway-italian-restaurant
Hallway, Italian Restaurant was one of the most popular works that Guy Pène du Bois painted prior to his departure for France in 1924. It was often reproduced during his lifetime, and he included illustrations of it in a contemporary article and later in his autobiography.
His right hand, to our left, is in his coat pocket.