An Eastern Ruler Seated on His Throne by Albrecht Dürer https://www.nga.gov/artworks/53157-eastern-ruler-seated-his-throne
His left hand, on our right, rests on a round orb about the size of an orange, and
Dein Suchergebnis zum Thema: Hand
Auguste Rodin | National Gallery of Art https://www.nga.gov/artists/2251-auguste-rodin
Auguste Rodin was born in 1840, the second child and only son of Jean-Baptiste Rodin and Marie Cheffer, first-generation Parisians of modest means. Nothing in his family background or situation suggested that he might become an artist.
Explore Selected Works See all 89 works of art Artwork Auguste Rodin, Hand of
Head and Hands of a Working Man by Käthe Kollwitz https://www.nga.gov/artworks/8137-head-and-hands-working-man
.]; unknown hand lower right verso in graphite: … Arbeitsloser …
The Nymph of the Spring by Lucas Cranach the Elder https://www.nga.gov/artworks/43716-nymph-spring
A note of ambiguity or unease often gives a piquant quality to German adaptations of the Renaissance ideal. Cranach’s painting of a classical nymph represents an Italian theme but gives it a moralizing twist common to late Gothic courtly and amorous subjects.
On her left hand, along her body, she wears a crimson-red and gold, jeweled bracelet
Saint Anthony Abbot [left panel] by Puccio di Simone, Allegretto Nuzi https://www.nga.gov/artworks/6-saint-anthony-abbot-left-panel
The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. This panel is part of a triptych painted by two artists:
He holds a bird in one hand, touches Mary’s robe with the other, and a piece of
Saint Venantius [right panel] by Puccio di Simone, Allegretto Nuzi https://www.nga.gov/artworks/8-saint-venantius-right-panel
The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. This panel is part of a triptych painted by two artists:
He holds a bird in one hand, touches Mary’s robe with the other, and a piece of
Madonna and Child Enthroned with Saints and Angels, and Saints Anthony Abbot and Venantius [entire triptych] by Puccio di Simone, Allegretto Nuzi https://www.nga.gov/artworks/206126-madonna-and-child-enthroned-saints-and-angels-and-saints-anthony-abbot-and-venantius-entire-triptych
The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. This triptych was painted by two artists:
He holds a bird in one hand, touches Mary’s robe with the other, and a piece of
Schaeffer Galleries, Inc. | National Gallery of Art https://www.nga.gov/artworks/provenance/393-schaeffer-galleries-inc
wash over black chalk on buff paper//border in pen and black ink added by later hand
West Building Verbal Descriptions stop 404 | National Gallery of Art https://www.nga.gov/visit/tours-guides/audio-tours/west-building-tour-verbal-descriptions/west-building-verbal-descriptions-stop-404
On her lap is an oval shaped palette: the thumb of her left hand hooks through the
Carlo Cesare Malvasia’s Felsina pittrice: Lives of the Bolognese Painters, Volume 9 | National Gallery of Art https://www.nga.gov/research/publications/carlo-cesare-malvasias-felsina-pittrice-lives-bolognese-painters-volume-9
Celebrated by Malvasia as the creator and promoter of the new maniera moderna, Guido Reni (1575–1642) introduces the fourth age of painting: a period marked by an original and sometimes bold elaboration of the notion of artistic perfection developed by the Carracci and embodied more specifically by Ludovico’s “synthesis of styles.�
On the one hand, he cannot resist his infatuation with Guido’s work.