A Prince of Saxony by Lucas Cranach the Elder https://www.nga.gov/artworks/33750-prince-saxony
He holds the edge of a caramel-brown, sleeveless overcoat with one pale hand, and
He holds the edge of a caramel-brown, sleeveless overcoat with one pale hand, and
This tour offers vivid descriptions of specific works on view in the East Building. Though designed for people with vision loss, this tour is a useful tool for guided looking for all visitors.
With his left hand, nearest us, he leans on a stick.
He clasps the neck of his violin in his left hand, holding it as one might a guitar
His dark coat is a field of black, broken only by the sheer white cuff and the hand
16 prints (landscapes, maps, and technical diagrams) in mixed techniques, some hand
16 prints (landscapes, maps, and technical diagrams) in mixed techniques, some hand
During the crucial decade on both sides of 1500, South German art developed from the last flowering of the medieval to the beginning of the Renaissance. At this time the leading engraver in Nuremberg and central Germany was clearly Albrecht Dürer;
-1934 Inscriptions & Marks Inscriptions lower center in plate: MZ; by later hand
16 prints (landscapes, maps, and technical diagrams) in mixed techniques, some hand
16 prints (landscapes, maps, and technical diagrams) in mixed techniques, some hand
16 prints (landscapes, maps, and technical diagrams) in mixed techniques, some hand