Barbizon Roadway in Snow by Eugène Cuvelier https://www.nga.gov/artworks/212086-barbizon-roadway-snow
Associated Names Isaacs, Charles Inscriptions & Marks Inscriptions by unknown hand
Dein Suchergebnis zum Thema: Hand
Dutch Paintings of the Seventeenth Century: Portrait of a Man in a Tall Hat, c. 1663 | National Gallery of Art https://www.nga.gov/research/publications/online-editions/dutch-paintings-seventeenth-century-portrait-man-tall-hat-c
The sitter initially held his left hand higher, at waist level [fig2].
The Crucifixion with the Converted Centurion by Lucas Cranach the Elder https://www.nga.gov/artworks/46168-crucifixion-converted-centurion
In The Crucifixion with the Converted Centurion , Lucas Cranach the Elder chose to portray a scene of religious redemption. The crucified Christ, silhouetted against a darkened and troubled sky, is at the point of death;
Each hand is nailed to the cross, and his overlapping feet are nailed with a third
Yoruba Couple by David C. Driskell, Pyramid Atlantic Art Center https://www.nga.gov/artworks/228247-yoruba-couple
"Yoruba Couple" lower left margin, graphite, artist’s hand. "3/100" lower center
To Lynn Ward by Jay Moon https://www.nga.gov/artworks/58775-lynn-ward
Inscriptions & Marks Inscriptions "Moon 76" lower right margin, graphite, artist’s hand
Rose by Jay Moon https://www.nga.gov/artworks/58778-rose
Inscriptions & Marks Inscriptions "Moon 75" lower right margin, graphite, artist’s hand
Canyon Clouds [working proof 1] by Wayne Thiebaud, Emily York https://www.nga.gov/artworks/230694-canyon-clouds-working-proof-1
"canyon clouds" lower left margin, graphite, artist’s hand.
Travelers by Wayne Thiebaud, Emily York https://www.nga.gov/artworks/230698-travelers
"OK 2 Print" lower left margin, graphite, artist’s hand.
Joris Vezeleer by Joos van Cleve https://www.nga.gov/artworks/46435-joris-vezeleer
He pulls a bone-white glove onto one hand and wears a gold ring with a green gem
La Méditerranée by Aristide Maillol https://www.nga.gov/artworks/93096-la-mediterranee
At the beginning of the twentieth century, as he turned from a career as a painter and a graphic and tapestry designer to concentrate on sculpture, Aristide Maillol was shaping what would become the leitmotif of his career. The subject that inspired him was the female nude, carefully observed but transmuted by underlying geometric forms into a kind of architecture, evoking the timeless rather than the individual.
She holds her left hand, to our right, to that cheek so the elbow is close to the