Casting, Number Two by Winslow Homer https://www.nga.gov/artworks/55577-casting-number-two
(National Gallery only, not in catalogue) 1996 An Amazing Bit of Sleight of Hand
Dein Suchergebnis zum Thema: Hand
Parmigianino | National Gallery of Art https://www.nga.gov/artists/2673-parmigianino
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· Accession ID 1971.82.1 Artwork Parmigianino, Kneeling Woman Lifting Her Hand
Eadweard Muybridge | National Gallery of Art https://www.nga.gov/artists/16474-eadweard-muybridge
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Movement of the hand, lifting a ball, 1887, collotype, Corcoran Collection (Museum
Fred Becker | National Gallery of Art https://www.nga.gov/artists/3484-fred-becker
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1937 · etching · Accession ID 2008.115.817 Artwork Fred Becker, John Henry’s Hand
George Biddle | National Gallery of Art https://www.nga.gov/artworks/provenance/3524-george-biddle
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all 30 works of art Artwork Philip Evergood, A Self-Portrait with Good Right Hand
Flemish 16th Century | National Gallery of Art https://www.nga.gov/artists/8348-flemish-16th-century
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16th century · bronze · Accession ID 1957.14.41 Artwork Flemish 16th Century, Hand
Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels [entire triptych] by Pietro Lorenzetti https://www.nga.gov/artworks/206124-madonna-and-child-blessing-christ-and-saints-mary-magdalene-and-catherine-alexandria-angels-entire
Pietro Lorenzetti of Siena painted me in 1340 . This inscription is the signature of the Sienese painter Pietro Lorenzetti , which survives on a fragment of the original frame (now incorporated in a modern support and located beneath the image of Madonna and Child ).
She supports the baby’s bottom with one hand and holds a bunch of red cherries
The Judgment of Paris by Claude Lorrain https://www.nga.gov/artworks/51095-judgment-paris
Like his compatriot Nicolas Poussin, Claude Lorrain forged his career in Rome. Claude’s vision of the Roman countryside is grounded in a careful observation of nature, but he transformed the landscape into a timeless, idealized world through his masterful rendering of sunlight and strict structuring of space.
He braces a long staff in his far hand, and raises his right hand, closer to us,
Dutch Paintings of the Seventeenth Century: Portrait of a Man in a Tall Hat, c. 1663 | National Gallery of Art https://www.nga.gov/research/publications/online-editions/dutch-paintings-seventeenth-century-portrait-man-tall-hat-c
The sitter initially held his left hand higher, at waist level [fig2].
The Crucifixion with the Converted Centurion by Lucas Cranach the Elder https://www.nga.gov/artworks/46168-crucifixion-converted-centurion
In The Crucifixion with the Converted Centurion , Lucas Cranach the Elder chose to portray a scene of religious redemption. The crucified Christ, silhouetted against a darkened and troubled sky, is at the point of death;
Each hand is nailed to the cross, and his overlapping feet are nailed with a third