Eugène Piot | National Gallery of Art https://www.nga.gov/artworks/provenance/23719-eugene-piot
Discover works by Eugène Piot and learn about the artist
c. 1492 · bronze · Accession ID 1992.39.1.a Artwork Venetian 16th Century, Hand
Discover works by Eugène Piot and learn about the artist
c. 1492 · bronze · Accession ID 1992.39.1.a Artwork Venetian 16th Century, Hand
Inscriptions & Marks Inscriptions in later hand, upper center of cover in brown
Pietro Lorenzetti of Siena painted me in 1340 . This inscription is the signature of the Sienese painter Pietro Lorenzetti , which survives on a fragment of the original frame (now incorporated in a modern support and located beneath the image of Madonna and Child ).
She supports the baby’s bottom with one hand and holds a bunch of red cherries
rich panel was originally the left side of a diptych, which, along with a right-hand
The hand farther from us is drawn across the chest and tucked under the arm closer
– January 16, 2012 Inscriptions & Marks Inscriptions on verso, by unknown hand
He rests his head in his right hand, farther from us, with that elbow resting on
Discover works by Cornelis Ploos van Amstel and learn about the artist
van Amstel, Christian Josi · published 1821 · etching printed in black ink and hand-colored
Accession ID 2015.143.1167 Artwork Philip Evergood, A Self-Portrait with Good Right Hand
The sitter initially held his left hand higher, at waist level [fig2].
In The Crucifixion with the Converted Centurion , Lucas Cranach the Elder chose to portray a scene of religious redemption. The crucified Christ, silhouetted against a darkened and troubled sky, is at the point of death;
Each hand is nailed to the cross, and his overlapping feet are nailed with a third